亨德尔的英文清唱剧及假面剧创作在英国音乐史上的不朽地位(硕士)(论文27000字)
摘要
本研究关注的是亨德尔的英国生活经历，分析这些宝贵经历对他在清唱剧和假面剧创作风格上的影响。通过走访及研究，运用相关文献资料对亨德尔英文作品进行分析归纳，总结其风格特点。并由此研究和定位亨德尔对英国清唱剧以及假面剧事业的巨大贡献，从而推动有关亨德尔研究的持续发展。
亨德尔的英文清唱剧和假面剧创作手法独特而富于戏剧化，注重人物角色的刻画和塑造，将音乐与舞台表演完美地融为一体，具有强烈的艺术的感染力。作品中带有强烈的巴洛克时代的的音乐特色，再加上其在英国多年的生活与创作对其作品产生的巨大影响，最终形成了独特的戏剧魅力。然而，在国内由于语言及资料方面的限制，亨德尔的英文清唱剧和假面剧没有得到广泛的学习和挖掘。有幸选择此课题是由于我在亨德尔的故乡英国留学两年多。在一些文献资料、作品演唱以及现场音乐会方面都有所收集和学习。因此，文章中对亨德尔的英国生活及戏剧创作背景过程进行了更深的挖掘，并将他对英国假面剧及清唱剧的发展起到的作用为根本进行细致的分析。
在我积累写作素材和影频资料的同时，主要采用了文献法、观察法和访谈法等研究方法对一切对文章有价值的内容进行了搜集、罗列，大胆地展开分析和论述。在研究和积累的过程中，收集到了作曲家在英国的的生活经历，并对其英文作品进行分析，并从这一角度出发阐述这些经历影响下所形成的英文清唱剧和假面剧作品的风格特点。同时以亨德尔最具典型的两部英文清唱剧及假面剧作品进行剖析。最后总结出亨德尔英文清唱剧及假面剧的三大主要贡献。首先，他一生中这些作品丰富广阔，影响力深远。其次，在多年的摸索与研究中，他创立并推动了清唱剧的发展与壮大。最后，作品中独特的创作思想和技法成为后代作曲家的光荣典范与榜样。
在国内，此课题的研究和学习正处于探索阶段，因此对于这一部分的研究十分有必要，这将为高校内的声乐教育和理论教育在一定上做出帮助。目前，已有诸多关于对亨德尔声乐作品的创作及生活经历的调查研究，但涉及其英国生活经历对其英文戏剧作品的影响的研究却没有。本课题为国内研究亨德尔英文作品的长期研究提供了现实意义以及理论依据。期望此文章能够为亨德尔英文清唱剧与和假面剧的研究与教学提供有效的帮助和见解。
关键词：英国，亨德尔，假面剧与清唱剧，风格特点，巨大贡献
Abstract
The study concerned Handel British life experiences which impact on his creative style of oratorios and masques. It also analyzed Handel’s English works by visiting and researching to summarize its composing style. From this, to find out the Handel’s great contribution to the British cause of oratorios and masques so as to promote sustainable development of the researches about Handel.
The creation of Handel's English oratorios and masques is unique and dramatic, focusing on the character’s features and personality traits. It is a perfect blend of the music and the performance, with a strong artistic appeal. The Works are full with a full-tasting musical characteristics of the Baroque era, coupled with his British experience and composing, eventually forming a unique and theatrical charm. However, due to the limitations of language and information in the domestic area, Handel's English oratorios and masques have not been widely studied and researched. Fortunate to choose this topic because of I studied more than two years in Handel's hometown of the UK. I have collected and learned much resources in literature, works as well as live music concerts. Therefore, it deeply discovers the background of Handel’s British life and the process of his theatrical creation in this article. At the same time, his fundamental role for development of the British masques and oratorios was detailed analysis.
I found lots of writing and video materials for this paper, at the same time, researching by the main methods, like the literature, observation and interviews, which are valuable for the article. Apart from that, those information was collected, listed, analyze and discuss boldly. In the course of researching and accumulating, some life experiences in the UK about the composer was collected and his English works was analyzed. From this point of view, to elaborate the characteristic of the English oratorios and masques under the influence of these experiences, while analyze his the most typical two English oratorio and masque. Finally, to sum up the three main contributions of Handel's English oratorios and masque. First of all, lots of his works in his life won a vast far-reaching reputation in the world. Secondly, in many years of exploration and research, he founded and promoted the development and growth of oratorios. Finally, his unique creative ideas and techniques were become a glorious example of and role models for the later composers.
In China, the researches and studies of this subject are still in a exploratory stage and are necessary for studying. This will provide a convenience for the vocal and theoretical education in universities. Currently, there are a lot of researches on the creative and life experiences of Handel vocal works, however, studies about that his UK life experiences influence his dramatic works in English are limited. The topic provides a theoretical basis and practical significance for the domestic long-term research on English works of Handel. Hope this article can provide effective help and insights for the research and teaching.
Key words: The UK, Handel, masques and oratorios, characteristic styles, contribution
目录
摘要
Abstract
第1章 绪论
1.1 本课题研究目的与意义
1.2 本课题国内外相关的研究现状
1.3本课题的研究方法
第2章 亨德尔的音乐经历、当时英国清唱剧与假面剧的发展状态及加入英国国籍的原因
2.1 亨德尔的个人背景以及去英国之前的个人经历
2.1.1亨德尔的个人背景
2.1.2去英国之前的音乐历程
2.2 当时英国音乐形势及清唱剧与假面剧的发展状态
2.3亨德尔加入英国国籍的原因
第3章 亨德尔的英国生活经历及其对他的英文清唱剧和假面剧的影响下形成的作品风格特点
3.1亨德尔在英国的生活经历
3.1.1干草市场的皇后剧院以及初到英国与皇室音乐结缘（1710年-1717年）
3.1.2 卡农斯（Cannons）（1717年-1718年）
3.1.3 创办英国皇家音乐学院、国王剧院及之外的一些音乐活动（1719年 —1734年）
3.1.4 在考文特花园歌剧院（Covent Garden）及都柏林音乐之行（1732年—1742年）
3.1.5 回到伦敦成功转型清唱剧创作（1742-1749）
3.1.6晚年（1750-1759）
3.2 在其英国生活经历影响下所形成的英文清唱剧和假面剧作品的风格特点
3.2.1 以英语为歌唱语言
3.2.2 强大的管弦乐的编制和音响效果
3.2.3 巴洛克音乐风格的完美展现
3.2.4气势恢弘的合唱编写
3.2.5 将艺术性和宗教信仰融为一体
3.3 以亨德尔最具影响力的英文清唱剧及假面剧作品分析
3.3.1英国人民的“国剧”-清唱剧《弥赛亚》（Messiah）
3.3.2 经久不衰的假面歌剧-《阿西斯与加拉迪亚》（Acis and Galatea）
第4章 . 亨德尔对英国清唱剧以及假面剧事业的巨大贡献
4.1 作品之多，影响之大
4.2 英国清唱剧的奠基人和创导者
4.3 成为后代作曲家的光荣典范与榜样
结语
参考文献
致谢 |
